Dellar v. Samuel Goldwyn, Inc., 278.

Decision Date12 June 1939
Docket NumberNo. 278.,278.
Citation104 F.2d 661
PartiesDELLAR et al. v. SAMUEL GOLDWYN, Inc., et al.
CourtU.S. Court of Appeals — Second Circuit

Julius Applebaum, of New York City, for appellants.

Dwight, Harris, Koegel & Caskey, all of New York City (Richard E. Dwight, John Fletcher Caskey, and John D. Leggett, Jr., all of New York City, of counsel), for appellees Samuel Goldwyn and Samuel Goldwyn, Inc.

Before L. HAND, AUGUSTUS N. HAND, and PATTERSON, Circuit Judges.

PER CURIAM.

This appeal comes up upon a motion to dismiss a bill of complaint upon two causes of suit; one, based upon the infringement by a moving picture of the plaintiffs' literary property in one version of a play; the other, upon infringement of their copyright in another version: the bill fused both causes into one unseparated narrative. The defendants answered, and the plaintiffs filed interrogatories, one of which demanded the production of a "scenario or synopsis" of the infringing film. After some delay the defendants filed a kind of scenario, known as "a cutting continuity"; and then in their turn demanded a bill of particulars, setting out in what regards the plaintiffs alleged that the film infringed. The plaintiffs filed such a bill, using the "cutting continuity" as a basis. The defendants then moved to dismiss the bill, inviting the judge to compare the "continuity" with the plaintiffs' copyrighted and uncopyrighted versions of their play. This he did, and concluded that there was no infringement, even though the defendants had actually taken from the play all those matters in which the film resembled it. The defendants protest against this practice, both because the judge never saw the film itself, and because there was no proof that the "continuity" correctly represented it.

The procedure adopted was not permissible. When the defendants produced and filed their "continuity", the plaintiffs were not bound to accept it as correct, even if it could be deemed a part of the answers. They had no means of knowing whether it was or not, and have never conceded that it was, and they have been deprived of their day in court on a vital issue. Nor can their use of the "continuity" in preparing their bill of particulars be taken as an acceptance of its correctness; they had nothing to rely upon but what the defendants gave them. They were to be understood as saying no more than that, if the film was as the "continuity" represented it, they relied upon the particulars set forth in the bill. At some stage in the proceedings they were entitled to try out the issue whether it did faithfully represent the film. For this reason the decree must be reversed.

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42 cases
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    • United States
    • U.S. Court of Appeals — Second Circuit
    • February 11, 1946
    ...to the views stated in Doehler Metal Furniture Co. v. United States, supra,29 and to our belief, expressed in Dellar v. Samuel Goldwyn, Inc., 2 Cir., 104 F. 2d 661, 662 and MacDonald v. Du Maurier, 2 Cir., 144 F.2d 696, that generally there should be trials in plagiarism 6. Plaintiff has no......
  • Association of American Medical Colleges v. Carey
    • United States
    • U.S. District Court — Northern District of New York
    • January 12, 1990
    ..."`the most troublesome in the whole law of copyright.'" Maxtone-Graham v. Burtchaell, 803 F.2d at 1255 (quoting Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (2nd Cir. 1939)). Therefore, as a predicate to the four-part analysis it is helpful to review some of pertinent cases which have ......
  • Sony Corporation of America v. Universal City Studios, Inc
    • United States
    • U.S. Supreme Court
    • January 18, 1983
    ...of fair use has been called, with some justification, "the most troublesome in the whole law of copyright." Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (CA2 1939); see Triangle Publications, Inc. v. Knight-Ridder Newspapers, Inc., 626 F.2d 1171, 1174 (CA5 1980); Meeropol v. Nizer, 560......
  • Monge v. Maya Magazines, Inc.
    • United States
    • U.S. Court of Appeals — Ninth Circuit
    • August 14, 2012
    ...Use Doctrine The fair use doctrine has been called “the most troublesome in the whole law of copyright.” Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (2d Cir.1939) (per curiam). This affirmative defense presumes that unauthorized copying has occurred, and is instead aimed at whether th......
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    • United States
    • Mondaq United States
    • February 19, 2013
    ...and (iii) creates a work that provides some form of new expression, meaning or message. Footnotes 1. Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (2d Cir. 1939). 2. 17 U.S.C. §107. 3. Id. 4. Monge v. Maya Magazines, Inc., 688 F.3d 1164 (9th Cir. 2012). 5. Id. at 1169-70. 6. Id. 7. Id. ......
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    • Mondaq United States
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    ...and (iii) creates a work that provides some form of new expression, meaning or message. Footnotes Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (2d Cir. 17 U.S.C. §107. Id. Monge v. Maya Magazines, Inc., 688 F.3d 1164 (9th Cir. 2012). Id. at 1169-70. Id. Id. at 1173. Id. Id. at 1178. Id......
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    • United States
    • Iowa Law Review No. 98-5, July 2013
    • July 1, 2013
    ...159. Judges love remarking on fair use’s indeterminacy as well, and they have for some time. See, e.g. , Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (2d Cir. 1939) (describing fair use, even before its codification, as “the most troublesome [doctrine] in the whole law of copyright”). ......
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    • United States
    • University of Georgia School of Law Journal of Intellectual Property Law (FC Access) No. 30-1, 2022
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    • United States
    • Georgia State University College of Law Georgia State Law Reviews No. 19-2, December 2002
    • Invalid date
    ...D. Kirkpatrick, Court Halts Book Based on 'Gone With The Wind', N.Y. Times, April 21, 2001, at A1. [7]. Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662 (S.D.N.Y. 1939). [8]. See 17 U.S.C. Sec. 107 (1976); infra Part II. [9]. 510 U.S. 569 (1994). [10]. Id. Before the Campbell decision, cou......
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