Dielman v. White
Decision Date | 31 May 1900 |
Docket Number | 1,133. |
Citation | 102 F. 892 |
Parties | DIELMAN v. WHITE et al. |
Court | U.S. District Court — District of Massachusetts |
Alex P Browne, for complainant.
Fish Richardson & Storrow, for defendants.
This is a suit by the designer of a certain mosaic in the Congressional Library at Washington to enjoin the publication of photographs of the mosaic. On December 22, 1894, Mr Green, superintendent and engineer of the library, offered Mr. Dielman the commission 'to paint, furnish, and put in place, complete,' the marble mosaic panel in question leaving the subject of the design largely to Mr. Dielman's choice. On December 27, 1894, Mr. Dielman accepted the commission. On February 14, 1895, he submitted to Mr. Green a statement in writing of the composition proposed. On March 30, 1895, in a letter to Mr. Green, he said:
'Under these circumstances, I feel that the best final result can be obtained by my undertaking to furnish you the completed mosaic, and I am therefore prepared to make the contract to that effect.'
On April 1, 1895, Mr. Green wrote as follows:
Bernard R. Green, 'Superintendent and Engineer.'
The formal order was as follows:
Bernard R. Green, 'Superintendent and Engineer.'
On May 9, 1895, Mr. Dielman submitted some sketches. Thereafter he painted a cartoon, and caused the same to be copyrighted in the usual way. This cartoon was sent to Venice, and in that place the mosaic in question was manufactured in the usual manner by workers in mosaic. Both the cartoon and the mosaic bore in the lower left-hand corner these words: 'Copyright, 1896, by Frederick Dielman.' In 1897 the mosaic, having been sent from Italy, and entered at New York duty free by order of the government, was set in place. The defendant took the photographs which are alleged to infringe, with the knowledge of the officers in charge of the library.
The only question presented in this case is the right of the complainant, by reason of the copyright he took out, to exclude others from photographing the mosaic. No mention whatever of copyright was made in the correspondence, and the only evidence that anything was said to any United States officer concerning the copyright is found in the following answers of the complainant:
' 'Cross Int. 43. Did you make any express contract with the government whereby you reserved the right to copyright your cartoon? Ans. I did not make any express contract, as I understand such to be. Cross Int. 44. Do I understand you to mean that you made any contract at all to that effect? Ans. Only in so far as I was persuaded that the government had no objection to my reserving the copyright on the design, 'Law,' inasmuch as the placing of the inscription or copyright notice was subject of discussion with a representative of the government, and no objection to my placing the same upon the panel was made. '
Taken by itself, the contract seems to me plainly inconsistent with any reservation of copyright on the part of the artist. In...
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