Fioranelli v. CBS Broad. Inc.

Decision Date28 July 2021
Docket Number15-CV-0952 (VSB)
Citation551 F.Supp.3d 199
Parties Anthony FIORANELLI, Plaintiff, v. CBS BROADCASTING INC., BBC Worldwide Americas, Inc., T3 Media, Inc., Testimony Films, Paramount Pictures Corporation, Morningstar Entertainment, Inc., Creative Differences, LLC, JVCT Productions, Inc., Ipse Dixit, Inc., and A&E Television Networks, LLC, Defendants.
CourtU.S. District Court — Southern District of New York

Hillel Ira Parness, Parness Law Firm, PLLC, New York, NY, Counsel for Plaintiff.

Elizabeth Seidlin-Bernstein, Ballard Spahr LLP (PA), Philadelphia, PA, Counsel for Defendants.

OPINION & ORDER

VERNON S. BRODERICK, United States District Judge:

I. Factual Background...––––

A. Threshold Issues...––––
1. Motion In Limine ...––––
2. Certifications...––––
3. Rule 56.1 Statements...––––
B. Plaintiff's Profession...––––
C. The Copyrighted Work...––––
D. CBS Settlement and Subsequent Distribution...––––
E. Allegedly Infringing Works...––––
1. The CBS 9/11 Newsreels...––––
2. Rush to War ...––––
3. Celsius 41.11 ...––––
4. World Trade Center ...––––
5. World Trade Center Featurette ...––––
6. The Miracle of Stairway B ...––––
7. Crime Scene 9/11 ...––––
8. How It Was: Voices of 9/11 ...––––
9. ZERO: An Investigation into 9/11 ...––––
10. Seven Signs of the Apocalypse ...––––
11. 9/11: Day That Changed the World ...––––
12. The Conspiracy Files: 9/11 10 Years On ...––––
13. The Miracle Survivor ...––––
14. Conspiracy Theory: Death Ray ...–––– 15. The Untold History of the United States ...––––
16. 9/11 Relics from the Wreckage ...––––
F. Plaintiff's Other Uses of the 9/11 Material...––––

II. Procedural History...––––

III. Legal Standard...––––

IV. Discussion...––––

A. Copyright Infringement...––––
1. De Minimis Use ...––––
a. Applicable Law...––––
b. Application...––––
i. Quantitative Component...––––
ii. Qualitative Component...––––
2. Fair Use ...––––
a. Applicable law...––––
i. Purpose and Character of the Use...––––
ii. Nature of the Copyrighted Work...––––
iii. Amount and Substantiality of Use...––––
iv. Effect on Potential Market for Copyrighted Work...––––
b. Application...––––
i. Purpose and Character of the Use...––––
1) Whether the Use Was Transformative...––––
2) Commercial Use...––––
3) Bad Faith...––––
ii. Nature of the Copyrighted Work...––––
iii. Amount and Substantiality of Use...––––
iv. Effect on Potential Market for Copyrighted Work...––––
v. Balancing of the Four Fair Use Factors...––––
3. Statute of Limitations ...––––
a. Applicable Law...––––
b. Application...––––
4. Plaintiff's Cross Motion for Partial Summary Judgment...––––
B. Copyright Inducement...––––
a. Applicable Law...––––
b. Application...––––
C. Breach of Contract...––––
a. Applicable Law...––––
b. Application...––––

V. Conclusion...––––

Plaintiff Anthony Fioranelli ("Plaintiff") brings this action against Defendants CBS Broadcasting, Inc., BBC Worldwide Americas, Inc., T3 Media Inc., Testimony Films, Paramount Pictures Corporation, Morningstar Entertainment, Inc., Creative Differences, LLC, JVCT Productions, Inc., Ipse Dixit, Inc., and A&E Televisions Networks, LLC (collectively "Defendants"), asserting claims of copyright infringement, copyright inducement, and breach of contract based on Defendants’ uses of Plaintiff's video footage from the World Trade Center site following the attacks of September 11, 2001 ("9/11 Material"). Now before me are (1) Defendantsmotion in limine to exclude evidence, testimony, or argument concerning expert opinions; (2) Plaintiff's request to submit corrected certifications of Anthony Fioranelli and Hillel Parness; (3) Defendantsletter motion opposing that request; (4) Defendantsmotion for summary judgment seeking dismissal of all of Plaintiff's claims; and (5) Plaintiff's motion for summary judgment on his copyright infringement claim.

Defendantsmotion in limine to exclude evidence, testimony, or argument concerning expert opinions is DENIED AS MOOT. Plaintiff's request to submit corrected certifications of Anthony Fioranelli and Hillel Parness is GRANTED, and Defendantsletter motion opposing that request is DENIED. Defendantsmotion for summary judgment is GRANTED IN PART and DENIED IN PART. Because I find that Defendant Paramount Pictures Corporation's uses of Plaintiff's 9/11 Material in World Trade Center and World Trade Center Featurette are fair, Defendant Paramount Pictures Corporation's motion to dismiss Plaintiff's copyright infringement claim is GRANTED and that claim is dismissed. I find that there are issues of fact relating to the purposes of Defendants’ uses in ZERO, Conspiracy Files, Death Ray, Rush to War, Celsius, Untold History , and Seven Signs ; therefore, Defendantsmotion for summary judgment dismissing Plaintiff's copyright infringement claims related to those films is DENIED. Defendantsmotion for summary judgment dismissing Plaintiff's copyright inducement claim is GRANTED. Defendantsmotion for summary judgment dismissing Plaintiff's breach of contract claim is GRANTED.

Plaintiff's motion for summary judgment on his copyright infringement claim is GRANTED IN PART and DENIED IN PART. Because I find that Defendants’ uses in Miracle Survivor , Crime Scene 9/11 , DTCW , Stairway B, Relics , How It Was , and the CBS 9/11 Newsreels are not de minimis , are not fair, and that the record demonstrates Defendants’ liability for copyright infringement, Plaintiff's motion is GRANTED as to these works. Plaintiff's motion is DENIED as to the remaining works.

I. Factual Background

Plaintiff Anthony Fioranelli brings this action against Defendants CBS Broadcasting, Inc. ("CBS"), BBC Studios America, Inc. ("BBC"), T3 Media, Inc. ("T3")—now known as ("n/k/a") Veritone, Inc. ("Veritone")—Testimony Films ("Testimony"), Paramount Pictures Corporation ("Paramount"), Morningstar Entertainment, Inc. ("Morningstar"), Creative Differences, LLC ("Creative Differences"), JVCT Productions, Inc. ("JVCT"), Ipse Dixit, Inc. ("Ipse Dixit"), and A&E Televisions Networks, LLC ("A&E").1 (Sec. Am. Compl.)2 He brings a copyright infringement claim against all Defendants, (Count I), a claim for inducement to infringe federal registered copyrights against Defendants CBS, BBC, and Veritone, (Count II), and a breach of contract claim against CBS, (Count III). (Id. )

A. Threshold Issues
1. Motion in Limine

Defendants filed a motion in limine to preclude Plaintiff from offering an expert opinion. (Docs. 150–51.) Because Plaintiff does not offer an expert opinion in support of his cross-motion for summary judgment and opposition to Defendants’ motion, I deny Defendantsmotion in limine as moot.

2. Certifications

Defendants also request that I do not consider Plaintiff's second corrected certifications of Plaintiff Anthony Fioranelli and Hillel Parness, (Docs. 176-1, 176-2), which were filed after Defendants’ reply. (Doc. 177.) These second corrected certifications differ from the previously-filed corrected certifications only in that the certification language at the end of the documents is changed to comply with 28 U.S.C. § 1746. (Compare Docs. 166, 167 with Docs. 176-1, 176-2.) Defendants’ request is denied. I will consider the second corrected certifications of Plaintiff Fioranelli and Parness in reaching decisions with regard to the motions before me.3

3. Rule 56.1 Statements

The parties purport to dispute many material facts. A majority of these disputes are irrelevant to the issues before me. Additionally, Plaintiff consistently fails to identify specific facts to dispute the facts presented by Defendants as required by Local Rule 56.1(c), but instead makes arguments about the implications of those facts. Plaintiff also uses his response as an opportunity to improperly add additional facts. Defendants, on the other hand, unnecessarily devote a portion of their papers to identify minor, non-material use by Plaintiff of the citation "id. " These sorts of objections are unproductive and are not in the spirit of Rule 56.1. See Holtz v. Rockefeller & Co. , Inc., 258 F.3d 62, 74 (2d Cir. 2001) ("The purpose of Local Rule 56.1 is to streamline the consideration of summary judgment motions by freeing district courts from the need to hunt through voluminous records without guidance from the parties.").

The facts recited below are drawn from DefendantsRule 56.1 Statement of Material Facts ("Defs. 56.1"), (Doc. 148), the Corrected Response and Counterstatement of Material Facts of Anthony Fioranelli Made Pursuant to Local Civil Rule 56.1(b) ("Pl. 56.1"), (Doc. 168), and Defendants’ Reply Statement of Material Facts and Response to Plaintiff's Counterstatement of Material Facts ("Defs. 56.1 Reply"), (Doc. 175). The citations to these submissions incorporate by reference citations to the underlying evidentiary submissions. I also draw facts from other evidence in the record, including the certifications and declarations, and the Second Amended Complaint and exhibits. (See Fed. R. Civ. Pro. 56(c)(3) ("The court need consider only the cited materials, but it may consider other materials in the record.")). In this section I recite facts that I find undisputed based on the parties’ submissions unless otherwise indicated.

B. Plaintiff's Work as a Photojournalist

Plaintiff Anthony Fioranelli is a professional photojournalist who captures both photographs and video footage. (Pl. 56.1 ¶ 142.) He is also the principal of Big Daddy Productions, later rebranded as Multi Media Network News LLC. (Defs. 56.1 ¶ 1; Pl. 56.1 ¶ 159.) Plaintiff licenses his work for use in spot news. (Pl. 56.1 ¶ 161.) Due to the fast-paced approach of spot news, there is no time for later editing, and Plaintiff had to learn how frame shots and edit them in real time. (Id. ¶¶ 168–70.) Often, the photographs and video that Plaintiff and his colleagues captured were time-sensitive, and would sometimes be broadcast within minutes of the filming. (Id. ¶ 172.) Plaintiff licensed his footage to the local New York television stations. (See id. ¶ 175; Fioranelli Cert. ¶ 11, Ex. 4.)4 When negotiating pricing for disaster footage, Plain...

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