Holt v. CIR
| Decision Date | 04 May 1962 |
| Docket Number | No. 17515 and 17516.,17515 and 17516. |
| Citation | 303 F.2d 687 |
| Parties | Nat HOLT and Blanche Holt, Husband and Wife, Petitioners, v. COMMISSIONER OF INTERNAL REVENUE, Respondent. |
| Court | U.S. Court of Appeals — Ninth Circuit |
Thomas E. O'Sullivan, Gerard C. Tracy, Beverly Hills, Cal., for petitioners.
Louis F. Oberdorfer, Asst. Atty. Gen., Lee A. Jackson, David O. Walter, William A. Friedlander, Attorneys, Dept. of Justice, Washington, D. C., for respondent.
Before HAMLIN and MERRILL, Circuit Judges, and WALSH, District Judge.
Petitioners, Nat Holt and Blanche Holt, husband and wife, reported certain income for the years 1953, 1954 and 1955 which they treated as capital gain. The Commissioner of Internal Revenue treating the income as ordinary income assessed deficiencies for taxes due in those years. A petition for redetermination of deficiencies was filed with the Tax Court and the Tax Court upheld the contentions of the Commissioner that the income was to be taxed as ordinary income rather than as capital gain. We have jurisdiction of the petition to review the decision of the Tax Court under the provisions of Section 7482 of the Internal Revenue Code of 1954, 26 U.S. C.A. § 7482.
The petitioner, Nat Holt, is a producer of motion pictures. On February 6, 1950, petitioner executed an agreement with Paramount Picture Corporation, hereinafter referred to as Paramount, whereby petitioner was to produce two motion pictures for Paramount in return for a production fee of $15,000 per picture plus a sum equal to 25% of the excess gross receipts from the pictures. "Excess gross receipts" were defined in the contract.1 Paramount was to provide the funds necessary for production and it was to approve certain aspects of production. The agreement was not to constitute a partnership between Holt and Paramount, and Holt owned no part of the pictures. The rendition of supervision and services by Holt personally was agreed to be of the essence of the agreement. On October 23, 1950, the agreement was amended to provide for the production of a third moving picture.
On February 1, 1950, just prior to the consummation of the two-picture agreement between Holt and Paramount, Holt sent a letter to a New York attorney, William B. Jaffe, which set forth the terms of a partnership agreement between Holt and Jaffe. The partnership, called Nat Holt Pictures, was to own Holt's right to receive 25% of the excess gross receipts from the pictures. Holt's share of the partnership was 66 2/3% and Jaffe's share was 33 1/3%. The partnership was not to have any interest in Holt's $15,000 production fee for each picture. Jaffe was to receive the first $1,500 of the money payable to the partnership; thereafter, the 2/3-1/3 arrangement would be in force.
In August, 1950, Jaffe informed Holt that he was giving his law partner, Harold H. Stern, a portion of his (Jaffe's) one-third interest. Holt agreed to this and thereafter Holt was to get 66 2/3%, Jaffe 20% and Stern 13 1/3%.
On February 6, 1951, Holt, Jaffe and Stern entered into another partnership agreement on the same terms for the purpose of producing more pictures for Paramount. This second partnership was named "Nat Holt and Company." On February 12, 1951, the Nat Holt and Company partnership entered into an agreement with Paramount for the production of six more pictures. Holt was to devote his full time and services to the production of these films and he was to receive $20,000 per film. The partnership was to receive 25% of the excess gross receipts, just as in the first agreement, but the partnership was not to receive any portion of Holt's $20,000 production fee per picture.
In 1952, Paramount made advances to petitioner against the 25% excess gross receipts of the first three pictures produced. This money was reported as ordinary income, the only income, of the Nat Holt Pictures partnership for 1952, and the partners were taxed on their proportionate shares accordingly.
In May, 1953, the six picture agreement was amended to provide for the production of two additional pictures under the same terms.
Toward the completion of the second group of pictures — under the original six picture agreement — it became apparent to Paramount that the market for the type of picture being produced by Holt was diminishing. As a result, it was decided that an arrangement should be worked out whereby the production of any further pictures by Holt (i. e., the two additional pictures agreed to be produced by the amendment to the six picture agreement) would be terminated. Accordingly, Jaffe negotiated an agreement with Paramount which recited, inter alia, that Holt and the partnerships had produced nine pictures for Paramount and that Paramount was the sole owner of such pictures. Under the agreement the partnerships and Holt were to be relieved from any obligation to produce any further pictures and Paramount was relieved of any obligation to finance said pictures and so forth. In consideration of the release of all claims against Paramount for any rights to any portion of the excess gross receipts which were due or to become due to Holt and the partnerships under either of their agreements and in further consideration of the extinguishment of any obligations under the agreements, Paramount was to pay the partnerships a total sum of $153,000. In arriving at the $153,000 figure Paramount prepared schedules of projected earnings of the pictures and attempted to approximate what the producer's share of the excess gross receipts would be.
The petitioner reported his 66 2/3% share of the $153,000 payment made pursuant to the 1953 termination agreement with Paramount as capital gain income. The Commissioner determined that the income was ordinary income and assessed deficiencies accordingly. The petitioner filed a petition with the Tax Court for redetermination of deficiency and contended that the income from the $153,000 termination payment was properly treated as capital gain. The Tax Court found, inter alia, upon substantial evidence, that petitioner's right to participate in the excess gross receipts of the pictures produced by the petitioner under the two production agreements was compensation for services rendered or to be rendered under the two agreements. Accordingly, the Commissioner's determination that the income was ordinary income and not capital gain was upheld.
On brief in his "Statement of Points to be Urged" the petitioner claims that the Tax Court erred in failing to make findings concerning many facts incidental to the above outlined transactions that were requested by petitioner and allegedly required by the evidence. On the whole these alleged errors in the findings concern facts which have no special relevance or pertinency to the only issue in this case: whether the $153,000 lump sum payment made by Paramount to the partnership in extinguishment of the partnership's right to receive 25% of the excess gross receipts was ordinary income or capital gain. Under any statement or characterization of the evidence in this case the $153,000 would be ordinary income, and we are in full agreement with the opinion of the Tax Court, 35 T.C. 588, to that effect.
There is no dispute in this case that the $153,000 was taxable income. The only dispute is whether the sum should be taxed as ordinary income or as capital gain. The petitioner concedes that payments of the 25% of the excess gross receipts if received each year would be ordinary income. But petitioner contends that when a lump sum was received in return for all rights to receive these payments in the future the lump sum became capital gain. The petitioner contends that the right to receive the payments of 25% of the excess gross receipts was a property right which constituted the sole assets of the partnerships and that when the partnerships sold their respective assets to Paramount for a lump sum a capital gain was realized.
Section 117 of the Internal Revenue Code of 1939 defines a "capital asset" as "property held by the...
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