Stewart v. Rolling Stone LLC
Decision Date | 28 January 2010 |
Docket Number | No. A122452.,A122452. |
Citation | 181 Cal.App.4th 664 |
Court | California Court of Appeals Court of Appeals |
Parties | JAMES STEWART et al., Plaintiffs and Respondents, v. ROLLING STONE LLC et al., Defendants and Appellants. |
Davis Wright Tremaine, Elizabeth A. McNamara, Thomas R. Burke and Rochelle L. Wilcox for Defendants and Appellants.
Horvitz & Levy, John A. Taylor, Jr., Jeremy B. Rosen for American Media, Inc., Association of Alternative Newsweeklies, California First Amendment Coalition, California Newspaper Publishers Association, Magazine Publishers of America, Inc., The Reporters Committee for Freedom of the Press and Time Inc., as Amici Curiae on behalf of Defendants and Appellants.
Bartko, Zankel, Tarrant & Miller, Christopher J. Hunt and Gisu Sadaghiani for Plaintiffs and Respondents.
Defendants Rolling Stone LLC and Wenner Media LLC appeal from an order denying their special motion to strike a class action complaint under Code of Civil Procedure section 425.16 (hereafter section 425.16).1 Section 425.16 sets out a procedure for striking complaints in lawsuits that are commonly known as "SLAPP" suits (strategic lawsuits against public participation). Defendants contend the trial court erred in concluding that a triable issue exists as to whether the editorial feature that is the subject of this litigation constitutes commercial speech. They also claim plaintiffs have failed to present evidence sufficient to establish that they have a probability of prevailing on the merits. We agree and reverse.
Defendants are the publishers of Rolling Stone magazine. The named plaintiffs in this class action lawsuit are "indie rock" musicians whose band names are included with the names of over 100 other bands in an editorial feature entitled Indie Rock Universe (the Feature) that appeared in the November 15, 2007 issue of Rolling Stone.2 The named plaintiffs are musicians James Stewart, Devin Hoff, and Caralee McElroy of the band "Xiu Xiu," along with Michael Haliechuk, Damian Abraham, and Sandy Miranda of the band "Fucked Up" (altered in the complaint to appear as "F****d Up"). They purport to represent "a defined class of some 186 independent music performers" whose names appear in the Feature.
The Feature consists primarily of a four-page foldout described by the parties as a "butterfly gatefold." The layout is explained by defendants as follows:
The Feature is listed along with two other similar entries in the magazine's table of contents under the heading "Special Foldout Sections."3 The table of contents identifies the Feature as beginning on page 65. The Feature consists of five pages. Each page contains hand-drawn cartoonlike illustrations accompanied by both handwritten and typeset text. The first page, which is on the right-hand side of the magazine at page 65, reveals an image resembling a well-used spiral notebook, complete with doodles, resting on what appears to be a wooden desktop. The title Indie Rock Universe appears on the notebook's cover in large hand-written block capital letters. Below this title, the cover states: "an alternate dimension where everyone wears black Converse." Just below the notebook, the lower right-hand corner of the page states: "SPECIAL FOLDOUT INSIDE >>>." In a smaller font size, the lower left-hand corner states: "ILLUSTRATIONS BY BENJAMIN MARRA." It appears Benjamin Marra only did the illustrating for the article and was not involved with the advertising pages in dispute.
The opposite page, on the magazine's left-hand side, contains a full-page advertisement for Camel cigarettes.4 The background of the ad is a photograph of a flat grassy field with a stylized blue sky, upon which is centered a collage of photographs. At the center of the collage is the upper body of a woman with a tattooed arm and a pink streak in her hair, wearing a plain, black top. The woman is writing with a pen on a small lined notepad. She is surrounded by images of pink flowers, an audio speaker, an old-fashioned Victrola record player, and a few small birds. A hand appears from behind a group of flowers on the right side of the collage, its index finger pointed to the right. A small bird is perched on this finger. Above the collage is the arched "CAMEL" logo in large letters. Beneath the collage is a ribbonlike banner with the words "WELCOME TO THE FARM." The surgeon general's warning appears in a rectangular box in the lower left corner. In the right corner, the following language appears:
When the first page of the Feature (p. 65) is turned, the Camel ad continues on both sides of the "gate," appearing as a two-page spread. The ad's rural background and collage design theme continues. Imposed over the grassy landscape on the lower portion of both pages are overlapping images of a woman in a strawhat driving an old tractor with film reels for wheels, a Victrola, farm animals, flowers, birds, a floating radio with a propeller, and a disembodied hand that emerges from a small framed mirror being carried by a flying bald eagle, along with a television, radios, and audio speakers placed on stems that appear to be growing from the ground. The upper left corner of the left-hand page contains a smaller version of the "CAMEL" lettering. Below that word is a logo consisting of the words "the FARM; fREE RANGE MUSIC" [sic] with a small silhouetted image of a camel situated to the right. In large letters spanning over the blue sky on the upper portion of both pages, the ad continues: "COMMITTED TO SUPPORTING & PROMOTING INDEPENDENT RECORD LABELS."
The lower right-hand side of the right page contains a ribbonlike banner stating: "THE BEST MUSIC RISES FROM THE UNDERGROUND." Just below this banner is the following paragraph: Situated to the left of this paragraph is the upper body of a smiling woman raising her left hand across her chest and pointing to the left. The surgeon general's warning appears again, this time on the lower left side of the left-hand page. The lower right corner of the right page contains the following text: "*Website restricted to legal age tobacco consumers."
When both pages of the "gate" are opened, the Feature reappears as a continuous four-page illustration. As described by defendants, the Feature The band Fucked Up is listed in the "Intergalactic Ear Killers" category, under the subtitle: "In space, no one can hear you scream." The band Xiu Xiu appears in a list under the subtitle "Fight the power," which is placed adjacent to a grimacing red ball with arms and clenched fists, identified as "Angry Red Planet." None of the language, logos, or images used in the Camel ad appear in the pages of the Feature.
When the "gate" pages are folded back to reenclose the feature, and the right page is turned, another fullpage Camel ad appears on the left-hand side. The look and feel of this page is similar to the ad's previous pages. The "fREE RANGE MUSIC" logo appears again, this time above another collage consisting of a rooster, an old television, flowers, a small bird, and a man in a dark suit who is facing to the right, with his hand pointing to the right. Just below the collage, another ribbon banner states: "FOR THE BEST NEW SOUNDS, VISIT THEFARMROCKS.COM*." The surgeon general's warning appears again in the lower left corner of the page. The right corner contains the same language regarding age restrictions and tar and nicotine content that appears on the first page of the ad.5
On December 17, 2007, plaintiffs filed their class action complaint against defendants and R.J. Reynolds Tobacco Company (R.J. Reynolds),6 alleging three causes of action: (1) unauthorized use of name in violation of Civil Code section 3344, (2) unauthorized use of name for commercial advantage (right of publicity), and (3) unfair business practice in violation of Business and Professions Code sections 17200-17203. The gravamen of the complaint is that defendants and R.J....
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