Columbia Pictures Industries, Inc. v. Aveco, Inc., Civ. No. 84-0774.
Decision Date | 28 June 1985 |
Docket Number | Civ. No. 84-0774. |
Citation | 612 F. Supp. 315 |
Parties | COLUMBIA PICTURES INDUSTRIES, INC., et al., Plaintiffs, v. AVECO, INC., et al., Defendants. |
Court | U.S. District Court — Middle District of Pennsylvania |
Robert L. Byer, Eckert, Seamans, Cherin & Mellott, Pittsburgh, Pa., C. Kent Price, Lee C. Swartz, Hepford, Swartz, Menaker & Morgan, Harrisburg, Pa., Harvey Shapiro, Burton H. Hanft, Sargoy, Stein & Hanft, New York City, for plaintiffs.
Edward W. Goebel, Jr., MacDonald, Illig, Jones & Britton, Erie, Pa., Franklin A. Miles, Jr., David E. Lehman, McNees, Wallace & Nurick, Harrisburg, Pa., for defendants.
This is a copyright infringement action. The Plaintiffs are the major motion picture producers in the United States. The Defendants operate a business known as "Nickelodeon Video Showcase" in Lock Haven and State College, Pennsylvania (hereinafter collectively referred to as "the Nickelodeon"). Presently pending before the Court are the parties' cross-motions for summary judgment.
At the Nickelodeon, the Defendants rent video cassette recordings of movies on which the Plaintiffs own copyrights. The Defendants also rent rooms of various sizes that can accommodate between 2 and 25 people which are equipped with couches, television sets, and video cassette players. The Nickelodeon does not hold a public performance license of the type required to be held by a movie theatre. Nickelodeon customers can take advantage of the Nickelodeon's services in several ways. They can rent a cassette, take the cassette home, and play it on their own video cassette player. They can rent a cassette somewhere other than the Nickelodeon, rent a viewing room at the Nickelodeon and view the cassette there. Customers also can rent both a video cassette and a room at the Nickelodeon. Finally, customers can rent a room at the Nickelodeon and play a video cassette owned by the customer.
The Plaintiffs contend that some of the services provided by the Nickelodeon constitute copyright infringement. In particular, the Plaintiffs object to the Nickelodeon's renting of video cassettes coupled with renting of viewing rooms which, in the Plaintiffs' view, is legally indistinguishable from the operation of a traditional movie theatre. The Plaintiffs rely heavily on the recent decision of the Court of Appeals for the Third Circuit in Columbia Pictures, et al. v. Redd Horne, Inc., et al., 749 F.2d 154 (3d Cir.1984) (hereinafter "Redd Horne") to support their argument that the Defendants' activities constitute copyright infringement.
Relevant Statutory Provisions.
The Plaintiffs contend that the Defendants have infringed copyrights held by the Plaintiffs by exercising some of the rights granted exclusively to the Plaintiffs under the copyright statute. 17 U.S.C. § 106(4) provides in part that:
The parties agree that either the Defendants or their customers "perform" the copyrighted works involved in this case. See 17 U.S.C. § 101. The Plaintiffs initially contended that the Defendants performed the copyrighted works but apparently now accept the Defendants' argument that it is the Nickelodeon's customers who perform the copyrighted works. The Plaintiffs contend, however, that this distinction is immaterial.
The major dispute between the parties is whether the videocassettes are performed "publicly." The copyright statute defines this phrase:
17 U.S.C. § 101
The Redd Horne Decision.
The Plaintiffs contend that this case is controlled by the decision of the Court of Appeals for the Third Circuit in Columbia Pictures Industries, Inc., et al. v. Redd Horne, et al., 749 F.2d 154 (3d Cir.1984). Redd Horne involved a claim that the Defendants, individuals and entities involved in the operation of Maxwell's Video Showcase Ltd. ("Maxwell's"), infringed the Plaintiffs' copyrights by publicly performing the works without the Plaintiffs' permission. Maxwell's was similar to the Nickelodeon but with the following exceptions. Unlike the Nickelodeon, Maxwell's did not purport to be involved in two different enterprises, namely, the renting of video cassettes and the renting of viewing rooms. Rather, Maxwell's charged customers a fee for the rental of a viewing room in which a video cassette movie would be shown. Whereas Nickelodeon customers themselves play the video cassette, Maxwell's employees played the video cassette for Maxwell's customers. Finally, at the Nickelodeon each viewing room is equipped with its own video cassette player whereas at Maxwell's the players were located in the central area in the store and outside of the "private" viewing rooms.
The Defendants in Redd Horne contended that they did not publicly perform the copyrighted movies because the movies were performed in the "private" viewing rooms at Maxwells but the District Court and the Court of Appeals disagreed. The Court of Appeals concluded that Maxwell's was a "place open to the public" under 17 U.S.C. § 101:
... we agree with the District Court's conclusion that Maxwell's was open to the public. On the composition of the audience, the district court noted that "the showcasing operation is not distinguishable in any significant manner from the exhibition of films at a conventional movie theatre." Columbia Pictures Indus. v. Redd Horne, Inc. 568 F.Supp. 494 at 500 W.D.Pa.1983. Any member of the public can view a motion picture by paying the appropriate fee. The services provided by Maxwell's are essentially the same as a movie theatre, with the additional feature of privacy. The relevant "place" within the meaning of § 101 is each of Maxwell's two stores, not each individual booth within each store. Simply because the cassettes can be viewed in private does not mitigate the essential fact that Maxwell's is unquestionably open to the public.
Redd Horne, 749 F.2d at 159. The Court also stated that Id. Finally, the Court of Appeals held that Maxwell's publicly performed the cassettes because, in addition to performing them at a place open to the public, they transmitted them within the meaning of sub-section (2) of the definition of "to perform a work publicly" in 17 U.S.C. § 101.
The Court of Appeals also rejected the argument that Maxwell's activities were protected by the first sale doctrine of 17 U.S.C. § 109(a). "The first sale doctrine prevents the copyright owner from controlling the future transfer of a particular copy once its material ownership has been transferred." Redd Horne, 749 F.2d at 159. (citations omitted). Although the first sale doctrine prevents the Plaintiffs from controlling future transfer of copies of their video cassettes after they have sold them to a retail operation such as Maxwell's, sale of the cassette does not result in a waiver of all of the exclusive rights of a copyright holder under 17 U.S.C. § 106 and those exclusive rights include the right to perform the copyrighted work publicly. Id. at 160. In rejecting the Redd Horne Defendants' argument that their activities were protected by the first sale doctrine, the Court of Appeals stated that the defendants' activities could not properly be characterized as an "in-store rental" as the Court would have to do in order to accept the defendants' argument. The Court reviewed the facts and concluded that the defendants did not engage in a true rental of the videocassettes and their activities were therefore not protected by the first sale doctrine:
Maxwell's never disposed of the tapes in its showcasing operations, nor did the tapes ever leave the store. At all times, Maxwell's maintained physical dominion and control over the tapes. Its employees actually played the cassettes on its machines. The charges or fees received for viewing the cassettes at Maxwell's facilities are analytically indistinguishable from admission fees paid by patrons to gain admission to any public theatre. Plainly, in their showcasing operation, the appellants do not sell, rent, or otherwise dispose of the videocassette. On the facts presented, Maxwell's "showcasing" operation is a public performance which, as a matter of law, constitutes a copyright infringement.
The Nickelodeon.
The Defendants had contended that the Plaintiffs had failed to establish that they are the holders of registered copyrights in the works which are the subject of this case. Such registration is a prerequisite to an action for copyright infringement. 17 U.S.C. § 411(a). The Defendants stated in their last brief filed in this action, on May 24, 1985, that "Plaintiffs should be required to submit authenticated copies of the official copyright registration certificates issued by the Registrar of Copyrights for the motion pictures in question." Defendants' reply brief at 4. In this Court's order of June 6, 1985 which allowed the Plaintiffs to file the copies of the registration certificates, the Court granted the Defendants an opportunity to file a supplemental brief in opposition to the Plaintiffs' motion for summary judgment, "... said brief to be restricted to a discussion of the...
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